The female on the left sitting on top of an Ionic column is not as generously endowed as most Edwardian lovelies, which is typical of Hodge. Both figures have muscles like penny rolls, as Robert Louis Stevenson said, which is another characteristic of Hodge's work.
The male figure carries a bundle of fasces, so he must be associated with justice. Note the tiny winged figurehead under his left hand, implying that he is sitting on a ship. You can just see a mooring ring behind him to his right.
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