Hancock's last panel shows the Angel of the Merchant Navy standing on a dock as a ship comes in. As with many maritime scenes portrayed by artists who never went near the sea, it make absolutely no sense. At the bow, a bearded matelot holds a painter attached precariously to a ring on a post. So the anchor that the burly sailor with the sideburns is throwing overboard at the stern would presumably be completely unnecessary.
Another sailor in the bows is lowering a jib and gathering it in, but the halyard is not connected to the peak of the sail.
That enormous spar sticking up behind the Angel is another mystery. A sail is hung from it, so it should be a yard, but there does not seem to be any mast for it to hang from.
And - what on earth is that stuff draped over the top of the poor girl's head? Seaweed?
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