The overall design, by Edward A. Hunt, is neo-Georgian with Art Deco trimmings, but these carvings on the keystones of the doorways in Ram Street are pure 1930s. They show Manual Labour (a sturdy bricklayer with a rather wonderful peaked cap, braces and, lordy! a bow tie) and Motherhood, a timeless figure of a young woman supporting a toddler and giving it the sort of look familiar from a million church Madonnas.
The sculptor was the Manchester-born David Evans, who also carved one of the panels on the High Street frontage, of which more later.
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