Showing posts with label norway house. Show all posts
Showing posts with label norway house. Show all posts
Friday, 5 February 2010
Norway House, Cockspur Street SW1
I'm a rowing nut as well as an architecture buff, so this pushes both my buttons. I love the fact that it seems to show a boat being rowed in opposite directions. L.F. Roselieb (aka Roslyn) was responsible for the other carvings on the facade but I suspect this was done by a jobbing mason.
Labels:
norway house
Tuesday, 26 January 2010
Norway House, Cockspur Street SW1
Norway House was converted into the Norwegian Chamber of Commerce in 1920 by an architect from Stavanger called J.T. Westbye. It is pure historicist nationalism, using Norwegian granite and made-up Nordic details to hark back to a non-existent national architecture. As in Finland, architecture was seen as part of the process of separation from a foreign power, in this case Denmark.
Above the door is a statue of St Olaf, the first king of a united Christian Norway. It is by Gustav Laerum, a sculptor who is better known for satirical drawings.
Above the door is a statue of St Olaf, the first king of a united Christian Norway. It is by Gustav Laerum, a sculptor who is better known for satirical drawings.
Labels:
cockspur street,
gustav laerum,
norway house,
st olaf
Monday, 25 January 2010
Norway House, Cockspur Street SW1
When architects Metcalfe and Greig were designing 21-24 Cockspur Street as war broke out in 1914 there was no tenant for the building, so the carving on the front had to be generic Edwardian aspirational rather than illustrating the particular genius of the occupants. Louis Fitz (sic) Roselieb, the son of a sculptor from Hanover who had become a naturalised Briton, was brought in to do the job.
By the end of the War to End War, Roselieb had changed his name to Louis Frederick Roslyn and shortly afterwards the building got a facelift to transform it into Norway House.
Luckily, they left Roslyn's fine work untouched.
From left to right:
Commerce. A naked figure weighs out gold coins, with figures behind presenting goods to exotic foreign monarchs.
Transport. A substantially-built woman holds a steam locomotive, as ocean liners sweep over the waters behind.
Industry. A woman spins, sitting on a stool carved into a sphinx. Behind, a forest of factory chimneys belch smoke.
Communications. Mercury sits on a wall, holding a globe in one hand and his caduceus in the other. Behind, a Greek galley.
I will post the Norwegian alterations later.
By the end of the War to End War, Roselieb had changed his name to Louis Frederick Roslyn and shortly afterwards the building got a facelift to transform it into Norway House.
Luckily, they left Roslyn's fine work untouched.
From left to right:
Commerce. A naked figure weighs out gold coins, with figures behind presenting goods to exotic foreign monarchs.
Transport. A substantially-built woman holds a steam locomotive, as ocean liners sweep over the waters behind.
Industry. A woman spins, sitting on a stool carved into a sphinx. Behind, a forest of factory chimneys belch smoke.
Communications. Mercury sits on a wall, holding a globe in one hand and his caduceus in the other. Behind, a Greek galley.
I will post the Norwegian alterations later.
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