Apollo Victoria, Wilton Road SW1

The Apollo Victoria theatre was originally built in 1928 by E. Walmsley Lewis as a monster cinema for Gaumont, whose executive architect was William E. Trent. As a result, the name Trent crops up a lot in the design credits for Gaumonts of the period, including W. Sydney Trent and Newbury A. Trent, an admirable example of keeping it in the family.
Newbury Trent did these frothy little bas reliefs for the main entrance. They show an audience watching a romance (on the left) and a drama (on the right).
They watch the romance impassively but the scene of a lady being knifed in the back elicits violent reactions - women faint, shriek or hide their eyes in their hands. One man even rises to his feet and puts up his fists, threatening to fight the assailant.
But the couple to the left of centre are oblivious to the screen, locked in their embrace in both pictures.
Incidentally, the knifing is very reminiscent of Hitchcock's Psycho. I bet Hitch knew the Apollo in its cinematic heyday.
An interesting detail is the figure of Charlie Chaplin's Little Tramp on the responds of the entrance, presumably also designed by Trent (left). The comical feet-out, hands-out posture is captured perfectly.
The figure is repeated on the Vauxhall Bridge Road entrance, but strangely different (right). It is shorter, squatter and the bowler hat is at a slightly more rakish angle. It has a more feminine air - as if Trent had put Vesta Tilley doing Charlie Chaplin on that side. Odd.

6 Upper Brook Street W1

Pevsner describes this 1936 block of flats as 'Odeonish' and indeed the keystone over the entrance is carved by the Odeon's favourite sculptor, Newbury Trent. A nice conceit - a little boy carves the house number.
The building was designed by W.E. Masters.

New Adelphi WC2

The front entrance of the ghastly New Adelphi is flanked by a pair of bas reliefs by Newbury Trent, a sculptor who had twin lines of business doing angels for war memorials and carvings for Odeon cinemas.
The panels are action packed maritime scenes. On the left, shipwrights refit a sailing ship. Men climb the rigging, hauling spars into position. On deck, coopers repair barrels. The end of one of them is a convenient place for Trent to sign his name with the date - 1938.

On the right is a confusion of small boats and swimmers. At the top, a rower pulls on his oars while a swimmer holds on to the gunwale of the boat. Below, a man dives into the water as another throws a life preserver in. In what is presumably a larger vessel at the bottom, sailors haul on ropes.